Stéphane
Lambion —
is a writer, artist and designer currently based in London.
- join me for craft session with jetters collective writers' room · 17.11
- reach me at noibmal.enahpets
- find me on mastodon · instagram
“if i was a writer, and dead, i would so like my life to be reduced, through the care of a friendly and detached biographer, to a few details, a few tastes, a few inflections - let's call them biographemes” (r.b.)
give me three oranges
and i’ll juggle for you
i have a love-hate relationship
to artist statements
i’m still hopeful that
someday i’ll finish my phd
ticket inspectors are up there
in my list of most hated people
i miss the morning light
on the tuscan hills
i’ve lived in marseille
but have never swum there
i don’t mind mess at all
as long as everything is straight
nothing soothes me like
jahandar’s music
courgettes and aubergines
are the basis of my diet
the lowest temperature i’ve known
was -19°C
i was raised in a beautiful
city in transylvania you should go
i hereby promise never to use
chatgpt as my therapist
i miss the morning light
on the chapel across the street
i rate vertical movement
more than horizontal one
few places soothe me more
than small art galleries
i’m still looking for
the love of my life
there’s something so nice
about the texture of wood
“it feels like you’re constantly
waiting for something”
i don’t eat dead animals
nor alive for that matter
i have so many
dreams every night
i often prefer books’ titles
to their content
i’m positively fascinated
by the diversity of flushing systems
“dear Stéphane Lambrion,
thank you so much for...”
why is drinking water
so boring and necessary
my worst nightmare
is a crowded british beach
rather than logical connections
i prefer mystical juxtapositions
no i really can’t do
marmite, sorry
according to the attachment project,
i’m “anxious/preoccupied”
my favourite book is
nox by anne carson
i don’t eat dead animals
nor alive for that matter
i have a pink quartz ring
because it’s good for the heart
living in the uk made me
find christmas bearable
residencies
- the writers’ room london · 2025
- studio méridional marseille · 2025
- lieu commun festival, hôtel du couvent nice · 2025
programmes
- fieldnotes saturday school 2025
- provisional school for nothing 2025
grants
- zellidja, académie française 2024–2025
awards
- shortlist of the apollinaire découverte prize 2023
group shows
- auto amor project vol. 2 — acrylicize london · 2025
- where are the painters? #2 — :ddd kunst house yerevan · 2025
- rites of ruin — safehouse 1 london · 2025
- love shack — hARTslane london · 2025
- bathroom skin — SET lewisham london · 2025
education
- practise-based phd in creative writing and visual arts, aix-marseille university 2021–2026
- arts & literature, école normale supérieure de paris 2015–2021
head
tails
i like old photos, blueprints, maps, handwritten notes, brutalist architecture, niche unicode characters, very tiny things, tracing paper, playing cards, diagrams, low-resource technology, instruction manuals, torn paper and lists.
i also cherish susan howe’s interview from 1995 with lynn keller, index cards by moyra davey, calligrammes & compagnie, etcetera, an anthology of concrete poetry by jean-françois bory, pierre alféri’s solo at the cômerie in marseille on saturday 25th of september 2021, nox by anne carson, exquisite pain by sophie calle and every single other piece she made.